EDA ER

The Empress for voice, trombone, double bass, video, lights and electronics Voice: Eda Er Trombone: Brendan Lai-Tong Double Bass: Richard Worn Concept, composition, visuals and light design: Eda Er Video editing: Ecem Gulec

Fluid Narratives is a multimedia project by Eda Er that transforms the traditional Turkish art of Ebru (marbling) into a contemporary medium for sound, performance, and feminist storytelling. Blending ancient techniques with new media tools like Max/MSP and TouchDesigner, it creates immersive sonic-visual experiences that explore identity, memory, and cultural resistance. www.fluidnarratives.com Filmed by:  Mariana Marcela Garcia, Brian Wollitz, and Sepe Rafiei Edited by : Eda Er

Glitch Bloom (Eda Er & Danniel Ribeiro) operates in an indefinable musical territory where the lines between composed work, improvisation, and multimedia blur into a distinctive sonic fusion. Their artistic practice combines vocals, electronic elements, electric guitar, and video with transducers, unconventional playing techniques, and sculptural objects, establishing a fluid relationship between planned structure and spontaneous creation. Founded on mutual investigation of sound possibilities, collaborative processes, and multimedia integration, Glitch Bloom embraces unexpected outcomes—where harsh sounds intermingle with melodic elements, acoustic manipulations transform through electronic processing, and sound manifests as both physical and transient. Their performances create immersive environments that explore the convergence of music, physical movement, and visual components to deliver an experience that defies traditional classification.

Audiovisual Compositiom: Voice, Electronics, and Video This multimedia piece integrates Eda Er's vocal improvisations with electronic elements created using Ableton Live and Max for Live software. The audio components are seamlessly synchronized with dynamic visuals generated in Cinema 4D, creating an immersive audiovisual experience where sound and imagery respond to and complement each other.

Ninth Planet performs Always Welcome; Never Invited by Eda Er https://www.edaer.me/ Jessie Nucho, Flute Eda Er, Electronics Performed February 2, 2025 at Wu Hall, UC Berkeley SUPPORT US: http://www.ninthplanetmusic.org/suppo... INSTAGRAM: https://www.instagram.com/ninthplanet... FACEBOOK: https://www.facebook.com/ninthplanetn... WEBSITE: http://www.ninthplanetmusic.org/ NINTH PLANET is a new music ensemble and service organization dedicated to the commissioning, performance, and furthering of new music, especially the works of young composers and artists and those from underrepresented communities. Created in 2019 as a merger of Wild Rumpus and Composers, Inc., Ninth Planet continues the traditions of both organizations by commissioning new works, offering the Suzanne and Lee Ettelson Composer’s Award instituted by Composers, Inc., and performing existing, innovative pieces that stretch the genre’s limits. Concert programs represent a range of styles, with emphasis on local composers, women and LGBTQA+ composers, and composers of color. Ninth Planet prioritizes close interaction with our guest composers, seeking to invite them into our rehearsal process and the thoughtful presentation of their work in concert. Ninth Planet is a registered not-for-profit organization.

In January 2025 the Ensemble Musikfabrik brass section, bassoonist Elise Jacoberger and the composer Milica Djordjević presented an online academy for composers exploring contemporary brass and bassoon composition. These miniatures were developed during the academy by the participants. Find out more: https://www.musikfabrik.eu/en/academy...

"Woulda Coulda Shoulda" was commissioned by Garden Unit and premiered at Constellation Chicago on September 15, 2024. Performers: Bass Clarinet: Julia Ansolabehere Tenor Saxophone: Cameron Robert

Scope II Concert November 4, 2023, at CNMAT Audiovisual work: Composed and performed by Eda Er Utilizing Max for Live with Jitter in Ableton Live, integrating live performance into immersive visuals.

Too much of a woman for solo voice, electronics, amplified objects and video 15'. Premiered at The Lab, San Francisco, 12/04/22 Sound design, Performance design, Composition, Dramaturgy, Video, Performer: Eda Er Styling: Carter Jerry Qi Documented by: Zach Miley Thanks to Ecem Güleç for shooting the raw recording of the background video and for camera support. Thanks to Jeremy Wagner for technical support and Edmund Campion and Ken Ueno for their guidance.

Extrait du concert de l'Académie Voix Nouvelles, enregistré le 10 septembre dans le cadre du Festival de Royaumont 2023. Eda Er (Turquie), académicienne compositrice Johanna Vargas (Colombie), soprano, artiste en résidence à Royaumont (2021-2024) En savoir plus : https://bit.ly/academie-voix-nouvelles-partie-1 ------------------------------------------ Pour ne rien rater, suivez Royaumont sur les réseaux sociaux : ➡️ Youtube : www.youtube.com/royaumont ➡️ Facebook : www.facebook.com/ royaumont ➡️ Instagram : @royaumont ➡️ Site internet : https://www.royaumont.com ➡️ Abonnez-vous à notre newsletter : https://www.royaumont.com/fr/newsletter ------------------------------------------ Avec le soutien de la Fondation Daniel et Nina Carasso, du groupe ADP, de la SACEM, d’Art Mentor Foundation Lucerne, de Christine Jolivet Erlih, de Michèle Gagliano et des Amis de Royaumont. Avec le généreux soutien d’Aline Foriel-Destezet. Mécène stratégique de la Fondation Royaumont, la Fondation Daniel et Nina Carasso, sous l’égide de la Fondation de France, soutient ses projets de création artistique, l’émergence et l’accompagnement de ses artistes ainsi que le renforcement de la coopération entre sciences humaines et pratiques artistiques. Le Groupe ADP est partenaire de la Fondation Royaumont et soutient son action ancrée dans son territoire avec un rayonnement international, notamment à travers ses programmes d’échanges artistiques et actions de sensibilisation à la culture pour les enfants et jeunes riverains des plateformes aéroportuaires d’Ile-de-France. Partenaire historique de Royaumont, la SACEM soutient le Pôle Création musicale de la Fondation. Christine Jolivet Erlih et Michèle Gagliano soutiennent les commandes d’œuvres musicales originales faites à des jeunes compositeurs. Les Amis de Royaumont s’associent collectivement, depuis 50 ans, au projet de la Fondation. En 2023, l’Association poursuit son aide historique aux jeunes talents par l’attribution de bourses et soutient l’animation culturelle du monument. La Fondation Royaumont est membre du réseau Ulysses. Cofinancé par le programme Europe créative de l’Union européenne.

CNMAT, Berkeley, California 05/11/22

For solo voice, electronics at Mosswood Chapel, Oakland, CA

By Eda Er & Sarah Grace Graves Sarah Grace Graves, voice Eda Er, voice, tape Mosswood Chapel, May 28, 2023

Premiered by Nicholas Isherwood at Mosswood Chapel Oakland, California, USA 29.04.22

Premiered by Eco Ensemble 02/18/22 Hertz Hall, UC Berkeley Berkeley, California, US

For trombone quartet Premiered by Nordic Trombone Quartet August,2021 Leksand,Sweden

Composed for oboe, piano,tape, and video Pilar Fontalba, oboe | Haruna Takebe, piano June 25, 2021 Sala Mozart, Auditorio de Galicia, Santiago de Compostela XORNADAS DE MÚSICA CONTEMPORÁNEA XMC 2021

Eda Er https://www.edaer.me/ Ethernal wait for no answer (2021) for bass flute, baritone saxophone, percussion and piano Written for and premiered in the context of the 5th International ilSUONO Contemporary Music Week 2021 https://www.ilsuonoacademy.com/ Performed by: Ensemble Suono Giallo Andrea Biagini, flute Michele Bianchini, saxophone Gianni Maestrucci, percussion Simone Nocchi, piano https://www.ensemblesuonogiallo.net/ Audio Recorded and Mixed by: David Giacchè Videography and Production: Visualcam, Mauro Magrini and Arianna Fiandrini Program Notes: "When I saw a definition in a dictionary of a made-up word "Ethernal" to express: "Eternal yet ethereal: Hypothetically everlasting it is also fragile, delicate, intangible, beyond grasping, or some unconventional interpretation of eternity." It made me think about how we all have situations to stand by, which almost become unbearably "ethernal." It mirrored to me how fulfilling society's expectations to feel achieved in every aspect of my life kept me feeling obliged. Hence, I'm hoping to express those obligations through the piece by making a driving force between narrativity and physicality.