EDA ER

Fluid Narratives does not ask permission to belong.
It is created from the borderlands—between memory and sound, between tradition and glitch, between silence and rupture.

It is made with water, with breath, with code, with pigment.
It writes in frequencies. It performs in echoes.
It resists containment—breaking frames, bending them, building new ones.

This practice is an invocation. A site of grief, healing, resistance.
It carries stories of women who were never allowed to speak. It carries marbled memories, submerged truths, ancestral frequencies.
It carries Istanbul. It carries no borders. It carries everything—and nothing.

It works in layers.
Sound is treated as skin.
Technology is not neutral—it listens, it remembers, it disrupts.
These compositions are not just interdisciplinary—they are inter-emotional, inter-political, intergenerational.

Fluid Narratives believes in storytelling as architecture.
In pain as signal, not weakness.
In contradiction as fertile ground.
In water as mentor.

To perform is to transmute.
To compose is to reclaim.
To create is to survive.

This project does not dilute. It does not translate.
It alchemizes.
It submerges.
It listens deeply.
And it invites you to do the same.

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*Fluid Narrative is Eda Er's dissertation project at UC Berkeley that Transfors Ebru Art into Sonic Notation and Feminist Storytelling with New Media Technology

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